Jan Barnett
Collection

Riverbanks

c. 1970 | Oil on board

Riverbanks is a panoramic landscape by Australian artist Jan Barnett, depicting a tranquil floodplain bordered by mature eucalyptus trees. Sunlight filters through the canopy, illuminating reflective waterways where white waterbirds forage among the shallows.

The expansive composition, softened by atmospheric perspective, captures the quiet beauty of the Australian bush and demonstrates the artist's confident use of colour, light and reflection. The wide format enhances the sense of space, inviting the viewer into the peaceful riverside environment.

  • Behind Gafney's Creek Hotel

    c. 1980s | Watercolour on paper

    Behind Gaffney's Creek Hotel depicts the rear of the historic hotel at Gaffney's Creek, a former gold-mining township in Victoria's High Country.

    Jan Barnett captures the weathered buildings, corrugated iron roofs and mature shade tree in warm afternoon light, revealing the quiet character of a place shaped by Australia's mining history.

    Transparent watercolour washes and carefully reserved highlights convey both the texture of the ageing structures and the gentle atmosphere of the rural setting.

    The composition celebrates the beauty found in everyday heritage architecture and the enduring legacy of one of Victoria's historic goldfields communities.

  • Floral Study

    c. 1970s | Watercolour on paper

    This delicate floral study by Australian artist Jan Barnett depicts a loosely gathered bouquet of chrysanthemums in soft shades of white, blush pink and mauve.

    Executed with transparent watercolour washes, the flowers appear to float against a pale blue background, creating an impression of lightness and freshness.

    The restrained palette, confident brushwork and subtle use of negative space demonstrate the artist's sensitivity to colour and composition.

    The complementary pink double mat enhances the gentle tones of the painting while maintaining an elegant presentation.

Three Clydesdales

c. 1980s | Pastel on paper

A striking pastel portrait of three Clydesdale horses presented shoulder-to-shoulder against a warm earth-toned background.

Barnett captures the gentle strength and distinctive character of the working horses through expressive mark-making and subtle colour transitions. Loose, energetic strokes in the manes contrast with carefully modelled facial features, creating both movement and personality.

The restrained palette and close composition draw attention to the horses' calm expressions, textured coats and soft pink muzzles, making the work an engaging contemporary rural portrait.

Cutting Out

c. 1980s | Watercolour on paper

This dynamic equestrian composition depicts two stockmen working a single beast at speed across open ground.

Rather than presenting a broad landscape, Jan Barnett concentrates on movement and timing, allowing the riders, horses and dust to occupy the centre of the composition against a restrained white background.

The limited palette and confident watercolour technique emphasise the energy of Australian stock work while showcasing the artist's ability to suggest motion with remarkably economical brushwork. The painting celebrates a familiar aspect of rural Australian life with clarity, precision and understated drama.

  • Jan Barnett's artwork reflects a deep appreciation for Australia's native wildlife and landscapes. Her paintings reveal an artist who values careful observation, inviting viewers to slow down and notice the beauty found in everyday encounters with birds, flora, and the natural environment.

    Rather than relying on dramatic scenes, Barnett's work finds strength in quiet moments. Her subjects possess an authenticity that suggests genuine familiarity with the creatures and places she depicts, resulting in paintings that feel both intimate and enduring.

  • Barnett demonstrates a confident understanding of form, colour, and composition. Her work is technically accomplished without becoming rigid, balancing accurate observation with an approachable warmth that allows each subject to retain its own character.

    Whether portraying native birds or bushland settings, she captures texture, light, and movement with restraint, creating paintings that reward close viewing while remaining immediately accessible.

  • A defining feature of Barnett's work is her sensitive use of colour. Natural tones are handled with confidence, allowing the distinctive colours of Australian wildlife and vegetation to remain the focus rather than becoming overwhelmed by artistic embellishment.

    Her compositions are carefully balanced, guiding the viewer naturally through each work and creating scenes that feel harmonious, calm, and complete.

  • Barnett's paintings encourage a slower way of seeing. They remind us that Australia's natural heritage is not found only in spectacular landscapes but also in the subtle beauty of its wildlife and native flora.

    This quiet observational quality gives her work lasting appeal, rewarding repeated viewing and fostering a deeper appreciation of the natural world.

  • The artworks preserved by The Lorraine Foundation reflect Lorraine Saltmarsh's admiration for fellow artists whose work shared a respect for Australia's people, places, and environment.

    Jan Barnett's paintings complement the Collection by broadening its celebration of Australian wildlife and natural history. Together, these works preserve not only artistic skill but also an enduring appreciation for the landscapes and living creatures that continue to shape Australia's identity.