N o e l

W e s t g a t e

Collection

Morning Mist

c. 1970s | Oil on board

A cool morning mist hangs over a quiet paddock, where a monumental river gum dominates the foreground. A weathered post-and-wire fence leads the eye toward a still watercourse before disappearing into layers of blue haze and distant timber.

The dramatic contrast between the brilliant white trunk, deep ultramarine shadows and warm ochre earth creates a striking sense of atmosphere and depth.

  • Old One Tree Pub

    c. 1970s | Sgraffito

    An abandoned timber hotel stands alone against an expansive Australian sky, rendered entirely in deep crimson and sepia tones.

    The weathered verandah, leaning fence lines and bare tree evoke the decline of isolated bush settlements while celebrating the character of Australia's pastoral history.

    Westgate uses the sgraffito technique (scratching through coloured layers to reveal fine highlights) to create remarkable detail in the corrugated roof, timber slabs, grasses and dramatic cloud formations.

    The limited palette heightens the emotional impact, giving the scene the appearance of a sunset, bushfire glow, or aged photographic print.

  • Yellow Insect Study

    c. 1970s | Sgraffito

    Produced alongside its companion work Red Insect Study, Yellow Insect Study presents a dragonfly suspended within a luminous golden field.

    The composition is executed using the sgraffito technique, where the artist scratches through the painted surface to reveal the lighter substrate beneath, creating exceptionally fine linear detail.

    The warmer palette produces a softer, almost ethereal effect compared with its companion.

    Delicate incised marks describe the insect's transparent wings and segmented form while broad scratched strokes create a radiant halo that emphasises movement and light.

    The work highlights Westgate's willingness to explore alternative techniques beyond landscape painting.

  • Red Insect Study

    c. 1970s | Sgraffito

    Red Insect Study is an unusual example of Noel Westgate's experimentation with the sgraffito technique.

    The composition depicts a dragonfly hovering against a brilliant red field, accompanied by smaller insects scratched into the surface with remarkable delicacy.

    Rather than relying on paint, the artist uses incised lines to reveal the pale substrate beneath the coloured ground, producing an image defined almost entirely by light.

    The dramatic red background intensifies the graphic quality of the work, while the careful rendering of wings, segmented body and tiny companion insects demonstrates Westgate's patience and draughtsmanship.

    The result is both decorative and highly distinctive within the artist's known body of work.

Armageddon

1973 | Oil on board

Armageddon is a striking surrealist composition that explores themes of judgement, isolation and the uncertain future. A monumental monolith rises from a fractured landscape beneath a dramatic blood-red sky, while a distant crystalline city and enigmatic symbolic figure occupy the darkness beyond.

The work employs strong tonal contrasts and heavy impasto to create a sense of tension between light and shadow, hope and destruction. Executed during the height of Cold War anxiety, the painting reflects the era's fascination with existential questions and symbolic rather than literal storytelling.

Westgate's restrained palette of black, white, crimson and ochre reinforces the emotional intensity, producing an image that remains visually compelling decades after its creation.

  • The Outback

    1974 | Watercolour on paper

    The Outback is a restrained and contemplative watercolour depicting the quiet vastness of the Australian inland. A solitary river red gum dominates the foreground, its cool blue-grey trunk contrasting against warm ochre earth and the soft blue haze of distant hills.

    Sparse dead timber and weathered fence posts reinforce the isolation of the landscape, while the expansive sky lends the composition a strong sense of openness and distance. Unlike Westgate's more dramatic oils of the same period, The Outback demonstrates a quieter sensitivity.

    Transparent washes, economical brushwork and subtle tonal transitions evoke the stillness of the Australian bush rather than its harshness, highlighting the artist's versatility across different media.

  • Bushfire

    1973 | Oil on board

    Bushfire is a dramatic depiction of the Australian landscape under the threat of fire.

    A solitary farmhouse, water tank and windmill stand silhouetted against an advancing wall of flame, while smoke-darkened skies sweep across the composition in energetic brushstrokes.

    Rather than documenting a specific event, Noel Westgate presents the bushfire as an overwhelming natural force, balancing destruction with the stark beauty of Australia's fire-shaped environment.

    The painting demonstrates confident handling of light and colour, with luminous oranges and yellows emerging from deep blacks and earthy browns to evoke the intense glow of a fire front.

    Strong contrasts and expressive brushwork heighten the atmosphere of urgency, while the isolated homestead lends the work a distinctly Australian sense of resilience and vulnerability.